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Genset Lovol Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR). TRIBUANA DIESEL ADALAH : AGEN-DISTRIBUTOR -SUPPLIER-HARGA JUAL- JUAL-PROMO GENSET PERKINS DOOSAN,DEUTZ, ISUZU FOTON, LOVOL, CUMMINS CALL: 082113103112, 087875876555 Distributor, jual, agen toko spare part genset perkins, cummins, deutz, doosan, lovol, isuzu foton , AVR sx460 PROMO USD. 9.900 PERKINS 1103A-33G Model silent kap 30 KVA HARGA TERBARU: Perkins china Tersedia genset Murah PERKINS CHINA / LOVOL Kap 40 kva Prime power type 1004G USD. 8.400 Kap 70 Kva Prime Power type 1004TG USD. 9.500 Kap 100 Kva Prime Power type 1006TG1A USD.13.500 Kap 135 Kva Prime Power type 1006TAG1A USD. 14.300 Kap 150 Kva Prime Power type 1106C-P6TAG3 USD.16.600 Kap 170 Kva Prime Power type 1106C-P6TAG4 USD. 19.600

 

TRIBUANA DIESEL ADALAH : AGEN-DISTRIBUTOR -SUPPLIER-HARGA JUAL- JUAL-PROMO GENSET PERKINS DOOSAN,DEUTZ, ISUZU FOTON, LOVOL, CUMMINS CALL: 082113103112, 087875876555

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Kap 40 kva Prime power type 1004G USD. 8.400
Kap 70 Kva Prime Power type 1004TG USD. 9.500
Kap 100 Kva Prime Power type 1006TG1A USD.13.500
Kap 135 Kva Prime Power type 1006TAG1A USD. 14.300
Kap 150 Kva Prime Power type 1106C-P6TAG3 USD.16.600
Kap 170 Kva Prime Power type 1106C-P6TAG4 USD. 19.600

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Dalam jual beli, jika anda ingin Bisnis Kertas HVS-A4–Folio–Art Paper dan sejenisnya, maka anda harus tahu strateginya agar mendapatkan keuntungan melimpah dalam bisnis kertas.
Untuk mendapatkan harga kertas termurah dari pabrik, maka anda harus bisa mendapatkan sub dari pabrik pusat yang menyuplai kertas tersebut. Karena jika mengambil dari pabrik langsung, maka anda harus teken kontrak terlebih dahulu dengan pabrik yang bersangkutan yang nilainya ratusan hingga miliaran rupiah untuk bisa menjalankan bisnis kertas tersebut.
kerta-A4-HVS%25255B4%25255Dkertas-foto-copy-folio%25255B4%25255D
Jika anda ingin bisnis kertas dengan skala kecil yang bisa anda jual langsung di fotocopy atau perceakan offset yang kelasnya kecil hingga sedang. Untuk kelas ke atas (percetakan besar), maka anda juga harus berani bersaing, dan itu merupakan pertarungan normal dalam bisnis.
Kembali ke urusan kertas. Untuk mendapatkan harga kertas termurah, ukuran HVS dengan ukuran A4, Folio, hingga Double Folio maka bisa di akali dengan membeli kertas HVS plano (ukuran besar). Yang tentunya, berdasarkan pengalaman, harga kertas tersebut mempunyai selisih harga yang lebih murah dari pada kertas terbungkus langsung dari pabriknya.
Namun demikian, untuk memulai Bisnis Kertas Harga Murah, anda harus terlebih dahulu meng-cros chek dari berbagai toko kertas, hingga ke pergudangan kertas (sub pabrik) untuk mendapatkan harga terbaik, yakni harga kertas termurah yang lebih murah dari pada harga grosir kertas A4 atau Folio.
Dengan membeli kertas di sub agen kertas tersebut, ada kelebihan tentunya. karena anda tidak perlu menanam modal terlebih dahulu, yakni jika ada uang bisa langsung membeli dan tidak ada target penjualan dalam tiap bulannya seperti halnya sub agen dari pabrik tersebut. Dan tentunya sudah sesuai dengan apa yang anda harapkan, mendapatkan harga kertas termurah sesuai dengan kualifikasi jenis kertas tersebut.
HARGA JUAL BELI KERTAS MURAH dan STRATEGI Sebagai Ladang Bisnis
Untuk mendapatkan harga beli kertas murah, maka anda harus membeli kertas ukuran satu plano, yang bisa di potong A4 atau Folio yang nantinya juga bisa anda jual kertas tersebut dengan harg lebih murah juga dari toko kertas yang lain.
Sebagai gambaran ukuran kertas HVS satu plano  misalnya: 61x86, 65x100, 79x109 dan sejenisnua. Itu merupakan kertas pada umumnya yang dipakai untuk percetakan  maupun foto copy dalam pembuatan buku-buku dari pemesannya. Berlaku juga untuk kertas Artpaper, namun yang ukuran 61x86 agak sulit dicari, setahu saya memang tidak ada. Jadi khusus untuk Art paper kebanyakan mulai ukuran 65x100 ke atas ketika artikel ini Showroom cetak tulis. Mungkin saja, harga dan jenis kertas di tahun 2013 ada perubahan, maka anda harus cek juga di toko kertas tentang harga kertas.
Selanjutnya, setelah anda mendapatkan kertas ukuran plano, anda bisa memotong jenis ukuran kertas tersebut sesuai ukuran, baik A4 ataupun kertas Folio. Tergantung selera dan konsumsi dari pembeli yang menjadi sasaran anda.
Dan yang terpenting, anda juga harus mempersiapkan harga jual kertas A4 atau folio tersebut dan bandingkan dengan toko lain. Tips jual dalam bisnis kertas, jika awal penjualan, maka jangan mengambil selisih terlalu banyak dari toko sebelah, tapi targetkan pelanggan terlebih dahulu. Baru selanjutnya terserah anda.
Demikian rahasia dan Strategi Bisnis Kertas HVS-A4–Folio–Art Paper dan Sejenisnya jika anda ingin mulai merambah bisnis kertas sebagai usaha anda. Salam Wirausaha.

 

MACAM TIPE JENIS KERTAS CETAK FOTO

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Native American Actors Work to Overcome a Long-Documented Bias

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